But Keith ironed out the sixteenth note triplets and the chromatic passings, presumably in order to execute a full-throttle bluegrass tempo, Setting it around the tempo recorded by the composer, Duke Jordan (Miles Davis a little faster, Clifford Brown a little slower) I have attempted to restore those lovely wrinkles, the ones I sweated over on guitar many years ago in the original E flat. It was an eye opener, especially for the chord melody bits. Notes: I found an excellent transcription of Bill Keith: Jordu on BHO:

Please visit: Contact: Jazz Style: Other Key: G Tuning: Standard Open G (gDGBD) Difficulty: Intermediate Here you can look inside the book and enjoy the solo of 'I Miss A Little Miss'.ДЄs always you have piano accompaniments (2 CDs) in three different speed levels for each tune. These are the songs: Ain't She Sweet, Blues My Naughty Sweetie Gives To Me, Carry Me Back, Chinatown, Dill Pickles Rag, Dinah, I Miss A Little Miss, I Whish't I Was In Peoria, Ice Cream, Ida, In The Shade Of The Old Apple Tree, Jazz Me Blues, Linger Awhile, Margie Medley, Nola, Petite Fleur, Rose Of Washington Square, Temptation Rag, The Teddy Bear's Picnic and When You're Smiling. Useful for a band-banjoist or a solist you can play these tunes in every occasion. Notes: 'The Popular Folio' copes with jazz classics, which are very comfortable to play on the tenor banjo.

Please visit: Contact: Miss A Little Miss (The Popular Folio)

As a first impression of the book you can enjoy my composition Foochow's Shanghai.ДЄs always you have a piano accompaniment on CD in three different speed levels. Handy), Pepper & Salt (Ralph Colicchio), Foochow's Shanghai (Christian Loos), The Savoy Rag (Pete Mandell), The Ghost Of The Banjo (Roy Smeck) & My Lady Jazz (A.J. II deals with wonderful compositions for the tenor banjo, which present the banjo in all it's characteristics. This tune was published in my second music book for the tenor banjo.Д¬hrille's Hot & Jazzy Melodies For The Tenor Banjo Vol. It should adapt an Chinese touch, in style to Chinatown, My Chinatown. Notes: Foochow's Shanghai has been my first compostion for the tenor banjo, which I have dedicated to my good Scottish banjo friend Bill Somerville from Glasgow. Genre: Jazz Style: 4-String (Tenor/Plectrum) Key: G Tuning: Tenor Standard (CGDA) Difficulty: Intermediate I wish I had a recording to upload instead, but this is the best I can do for now, to honor one of the great pillars of modern banjo music and technique. I just found out yesterday, from my Dad, that Bill Keith had died the day before. Also, this tab is intended to be displayed at 4 bars per line. Adjust settings so that chords are displayed as letter names only. not necessarily exactly what the banjo is playing at any given moment, but what I think the basic chords are for the general tune, for each bar. In other words, the tab is written such that you can follow along with the recording. Both banjo breaks are included along with the backup for the mandolin and fiddle. Notes: This is a note for note transcription of how Bill Keith played this tune on his 'Something Auld, Something Newgrass, Something Borrowed, Something Bluegrass' album. Posted by 5-String, updated: - 3 Member Comments Genre: Jazz Style: Bluegrass (Scruggs) Key: G Tuning: Standard Open G (gDGBD) Difficulty: Intermediate

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